Jason Woods, Surrounded by Giants

Jason Woods is no stranger to the concept of documentation. Through photography, he takes snapshots of humanity and records its effects with a click of a button. Since the early 90s, Woods has been collecting, documenting, studying and making a name for his artistry. Doubling as one of the hottest DJ’s in Houston, Woods is even more fascinating when he spins tracks from the past and future. Fast-forward to today, the multifaceted artist is a force to be reckoned. His latest photo exhibition, Surrounded by Giants, recently debuted at the Community Artist’s Collective and proves that Woods is well on his way to becoming the next…

Born and raised in Houston, Texas, Woods developed his love for photography at Jakes Yates High School. Upon graduation, he knew that photography and spinning records would be the food that keeps him alive, so he earned a degree in photography from Sam Houston University.

Having been in the photography business for 10 years, the laid-back Houstonian said candidly, “Photos always spoke the most to me.”

To that end, Woods’ alter ego even has a name—Flash Gordon Parks—a name given to him by his good friend, Eric “Equality” Blaylock.

In 2004, Woods and Blaylock stumbled on an opportunity to collaborate on a photo-poetry exhibition called, The Beautiful Side of Ugly. The exhibit depicted the realities of urban areas in Houston, Texas, and featured images by Woods, words by Blaylock, and included a commemorative book.

Through his work, Woods passionately captures and documents dynamic images in the city of Houston and beyond.

 “Houston is layered and can fool you,” said Woods. “There are so many different dimensions that are unique and interesting. The people are genuine and have a southern feel. The city is a big enough metropolis that is fast and slow—just what you need. When I take pictures, I look for the sultry in things that we commonly see and overlook and try to capture an understanding on a new level.”

His latest project, Surrounded by Giants, was commissioned this month to exhibit at the Community Artist’s Collective. The show is a tribute to the diminutive details that shape the African American community and exposes bigger meanings within the culture.

Through this exhibit, Woods felt moved to shoot cultural nuisances and extract the microcosms of life through the lens of his camera. Surrounded by Giants is an 18-piece photographic documentary featuring work from Houston and New Orleans.

Also a record collector, Woods is the founder of Straight No Chaser and Easin’ IN— two monthly music series. It is through record collecting that Woods studies music then translates his own ideas and concepts that emerges in the raw when he’s deejaying.

 “The true art of a deejay is by knowing all genres of music. You have to be a student first,” said Woods.

With all of the hats that Woods is wearing at thirty-two-years old, Jason Woods is a modern day Renaissance man.

He begs to differ.

“I don’t like to box myself in to that scenario,” said Woods. “Life is not hard at all. I am original because I am me. I want to do what I want to do and not be confined by anything,” he said.

Follow Jason Woods on Facebook and Twitter.

By Atlas Brown
Editor @ The Cultural Weekly

Kanye West Needs Therapy

Okay, Kanye is at it again. The estranged genius even got the President riled up to say a few things about his off kilter rants and stunts that he has pulled as of late.  I won't list them all, just input his name into Google and press enter. I always believed that he would be bigger than Jay-Z, but I was wrong. Kanye West still has a lot of growing up to do. As I write this, I sit and think had his mother still been alive today, would he be involved in some of the fiascos that have taken place  just to amass wealth and fame? I thought that he would have taken a moment to reflect from his past to see where he was going in the future—when she died. I guess Sankofa is not for everybody.

I just read that he is now dating Kim Kardashian and will be a guest on "Keeping the Kardashian's" as though that is really something to write about as a journalist. I think that they actually deserve each other. There has never been a more controversial star and contradictive to say the least when thinking of the legacy of West. 

Yes, he is brilliant, and one of the greatest producers in the 21^st century—but he lacks common sense. This is the reason that he has so many complaints from people and backlashes thrown at his way. I believe that Kanye West truly lost it psychologically when his mother died. Not to mention, he broke up with the love of his life a year later. Then to think that something would last with Amber Rose, took me aback—way back.

Kanye West’ behavior needs to be assessed professionally by a therapist. Someone needs to sit down and listen to this young man. And, he needs to be forthcoming about the pain, hurt, and anger that he has harbored over the years. It is one thing to be talented, but another to be talented and destructive. Over the years, Kanye West has had success that some rappers and producers only can dream about. I believe that he needs to wake up and realize it, before he ends up like his mother. In addition, no one can say that he does not love his people. 

We all witnessed Kanye speak out against the atrocity that happened against black folk during Hurricane Katrina. Still, it can be said that despite what Kanye West has done right, all of his wrongs have overshadowed the good.

This can only mean one thing, Kanye West, needs to be honest with the mirror that he looks at each morning. I also will go so far as to say that had he finished college, his portfolio of music would be totally different, and lifestyle. 

Kanye West needs to be thankful for what has been bestowed upon his life, and realize that it did not have to be this way and can be taken away at any second. In like manner, the rapper could still be in Chicago, only known locally, and wishing that Jay-Z would call for a track. 

I only hope as a fan of his music, that Kanye West realizes that life is only given once. You will be judged by your actions, not by how many records you have sold, and individuals you have entertained. 

In the eyes of GOD, none of that matters.

By kYmberly Keeton

Book Review: Belle, the Last Mule at Gee’s Bend

I met Calvin Alexander Ramsey through the Black Caucus of the American Library Association email list-serve. I contacted the author to see if I could review his new children’s book entitled, “Belle, the Last Mule at Gee’s Bend.” This was my first children’s book that I’ve read in a long time. In like manner, I also learned some new things about African American history after reading the book. I believe that is what a good book is supposed to do—open an individual’s eyes to knowledge.

“Belle, the Last Mule at Gee’s Bend,” is set in Gee’s Bend, Alabama. The story centers around an easy mule named, Belle. It was enlightening to find out that this story is based on real life events. Alex, a young African American boy, interacts with Miz Pettway in front of a garden. He is intrigued by the mule that is eating all of the collard greens in the garden. The young boy asks Miz Pettway why the mule continues to eat all of the fluffy greens.

Miz Pettyway tells Alex that Belle is a special mule.

“She can have all the collards she wants. She’s earned it,” the older lady tells the young man.

Sitting in front of the garden, Miz Pettyway goes into a story about Belle and why she is so important to the community. First, she declares that mules are special because when she was growing up there were no means of transportation such as cars, trains, or airplanes. A mule represented tenacity and strength; though they were not considered attractive. Alex wanted to hear more about the mule and was in for a history lesson.

Miz Pettyway described how the people in Gee’s Bend considered their spirits kindred to the mules, “…Benders—-that’s what we call ourselves here—used mules to haul most everything,” she tells Alex.

As the old woman began reminiscing about the past, she mentioned the name Dr. Martin Luther King, Jr. Miz Pettyway asked the young boy if he knew of the Civil Rights Leader. Alex concurred.

From this point on in the story, Miz Pettway tells the history of Gee’s Bend to the young boy. She tells him that the community has a thriving arts history—quilt making. They also went through many trials and tribulations before and during the Civil Rights Movement. In regard to Dr. King, she acknowledges that he frequented the community often. He encouraged them about their right to vote as citizens of the United States.

The community of Gee’s Bend had to cross the river into Camden, and Dr. King suggested that once they arrived, to take the ferry to register for voting. With that in mind, the people began to gather their belongings, children, and mules to trek to the river into Camden. Once they arrived, they were faced with opposition. The Sheriff of Camden closed down the ferry, because of their racial heritage.

Miz Pettway tells Alex that this did not stop their stride or faith. They continued on and wagonloads of people were hauled to their destination by the mules of Gee’s Bend. Alex thought that was the end of Belle’s heroic story. There was more to come. Dr. Martin Luther King, Jr., had a special request that he left in a letter about the mules that he met in Gees Bend, Alabama.

In 1968, King new that something was going to happen to him. He wrote in a letter that he wanted Belle and another mule named Ada to pull his body to its final destination at his funeral. Another controversy takes place to derail his request. However, the mules endure the hardship and prevail on. Both mules were able to pull Dr. King’s casket from Ebenezer Baptist Church to Morehouse College.

Calvin Alexander Ramsey does an excellent job telling this story about Gee’s Bend and the heroic efforts of
their mules and community. In addition, it gives an intricate look at how a piece of history can be told to a
child and they understand the lesson.

*This book can be read to children, in the classroom, and should be read by adults.

Visit Calvin Alexander Ramsey’s Website

Purchase: “Belle, the Last Mule at Gee’s Bend”

By kYmberly Keeton

Baking Sweet Dreams at Kute Kouture Cookies, Inc.

Tina Jefferson is from the windy city -aka- Chicago, IL. The entrepreneur states that her dream began with a love for accessories and details. Jefferson tells, The Cultural Weekly, "I've always been the girl that likes to put just a special little added touch at the end to transform items from ordinary to Extraordinary."

I received a box in the mail, opened it, and saw six beautiful homemade cookies with decorative love. Tina Jefferson emailed me and stated that before the box of cookies was shipped, it took some maneuvering to get them to Texas. I am glad that she handled USPS, and made sure that I received the promised package. Each gourmet cookie was specially wrapped with accent bows, and looked as if they took hours to make them. 

Tina Jefferson began making cookies for people at her full-time job. After receiving compliments from employees about the tasty treats; she decided to put her baking and faith in action. And to make things more clear, every time someone tasted one of Jefferson's cookies, they literally put in an order on the spot. 

The petite entrepreneur continues in the interview, "I took every single order knowing full well I was not equipped to fill them all, but was determined to make it happen." 

With $250.00 in the bank, Tina Jefferson, took the money and purchased a small hand blender and some raw materials to make the cookies. The rest is history! Tina reassures the paper that it took some time to get the cookies exactly where she wanted them to be as it pertains to decorating cookies and packaging. 

"I continued to practice my craft until it became easier for me to make my cookies beautiful and I was able to master various designs," Tina Jefferson reiterates via phone. 

It has now been a year and Tina Jefferson is well on her way to becoming a household name in Chicago. Today, her company is called, Kute Kouture Cookies, Inc. The self-taught entrepreneur speaks highly of her budding business, and wants to continue to build her brand. The company is located in the metropolitan area of Chicago. Kute Kouture Cookies ships to out of state customers and takes orders via their website.

As a test, I wanted to be fair in my assessment of Tina’s cookies. They were delicious to say the least in my opinion. I decided to give one to a friend. She emailed the paper within two days about Kute Kouture Cookies.

In response she typed, “That cookie was good. It was just the right texture, not too rich as some gourmet cookies can be and the icing was just right. I have one corner left.”

With that said, it is never too late to start working on your dream—regardless of your circumstances.

Tina Jefferson says that, "We can't buy happiness but we can buy dessert - and it's kind of the same thing."

If you are interested in tasting these awesome cookies visit Kute Kouture Cookies online: www.kutecookies.com or via Facebook at www.facebook.com/kutecookies

By kYmberly Keeton

Up Close & Personal: The Alvin Ailey American Dance Theater

The Alvin Ailey American Dance Theater was conceived in Rogers, Texas, and later moved to New York City. Alvin Ailey would see his dance company flourish and grow in to an American institution over the course of his life. In the late 50s and 60s, by changing the perception of modern dance, and how black dancers were viewed in the profession, the Ailey Company set a standard of excellence and dominance in the field.

The founder of the dance company, Alvin Ailey,  created dances in remembrance of his upbringing inTexas, by evoking the elements of blues, spirituals, and gospel music in his work. He created 79 pieces, though his company commissioned works from the past and new ones while he was alive. Alvin Ailey died in 1989 and left his company in the hands of longtime mentee and friend, Judith Jamison.

For over 21 years, Judith Jamison, a world-renowned dancer in her own right, helped bring the Alvin Ailey American Dance Theater global recognition as an elite dance company that focuses on its rich culture and history.  The dance company is now under the direction of Artistic Director, Robert Battle. He took over the position in July 2011.

Jamison says of her successor, the third person to head the Company, “Combining an intimate knowledge of the Ailey Company with an independent perspective, Robert Battle is without question the creative force of the future.”

The Alvin Ailey American Dance Theater was in full force this past weekend at the Jones Hall For The Performing Arts. Beginning with the choreography of Rennie Harris, entitled, Home (2011), inspired by the “Fight HIV Your Way” initiative. Dancer’s moved to soul-lifting gospel house music and showcased their love for modern dance, all the while, sending out a message about the forgotten individuals who harbor the deadly disease.

During intermission the crowd was introduced to a dancing mime. Not knowing that his performance would lead in to the next piece , Minus 16 (1999), choreographed by Ohad Nahrin; the crowd was in for a treat. The dance composition is based on excerpts from works from the past and present including Mabul (1992), Anaphaza (1993), Zachacha (1998), and Three (2005). The dancers included audience members in the performance, and received a standing ovation after finishing the dance composition.

The finale, Revelations (1960), a critically acclaimed piece, choreographed by, Alvin Ailey, was performed last on stage. The dance piece features traditional music and is a testament to an individual’s salvation. There are three performances that are in this moving dance including Pilgrim of Sorrow, Take Me To The Water, and Move, Members Move.

Audience members were captivated from beginning to end with the Alvin Ailey American Dance Theater’s performance. They proved that as a dance company they are an American staple for the performing arts.

Check out the Alvin Ailey Dance Theater Performances below.

View: Home

View: Minus 16

View: Revelations

By kYmberly Keeton

Interview with Corey Scales, CEO of Breakaway Pictures…

I had the opportunity to sit down with Corey Scales, a filmmaker based in Dallas, Texas. We engaged in an interesting conversation regarding his new film: “The Davaun Mitchell Story.” The movie will debut at the Studio Movie Grill, in Arlington, Texas this November. 

Tell me a little about yourself professionally and creatively?

Well, for starters, I was born in San Diego, CA, but predominately raised in Texas. I started off in the rap game. I released my first tape in 93’ under a group called 3A187. After that, I started my own label in 98’ under the imprint Tramp’d Out Records. I released one solo CD and three CDs with my group Texas Trill. In 2004, I was blessed to produce my first TV show. Now, I am the founder and CEO of Breakaway Pictures.

What first got you interested in film production?

I always wanted to do movies. Back in the day, my music was always centered on a storyline. I’m from the gangster rap era, and we told stories through the art form of rapping. I hustled my way into film production.  I was at a local television station in Arlington, TX, called UATV that was based in Las Vegas. I was talking with one of my friends at the time, about making money with a TV program. One of the producers was eavesdropping, and I knew it… He liked what he heard, then asked if I wanted to produce my own show. I jumped at the opportunity, and produced “Da’ Come Up.”

What prompted you to start Breakaway Pictures?

Breakaway Pictures [formally Hustlewood Films] started after I decided to make some executive changes. I was doing 98% of the work under the Hustlewood imprint. It’s hard having a business with people who know nothing about the industry, but yet, they want to exude that they know it. After reassessing our business logistics, I knew that it was time to breakaway from all the drama. That’s where the name came from, Breakaway Pictures. As an entrepreneur in the business, I am an editor, director, and a cinematographer. I use these talents in my own company; I encourage our staff members to do the same.

Pertaining to business in general, I live with this quote, “Having a business full of opportunists is not only bad business, but bad for business.” When you look at it this way, you never know when you may become the opportunity that they are trying to take advantage of…

What is the estimated number of projects that you have worked on?

I am currently working on my second film, “How Far Do Angels Fall,” We will begin filming in September of this year. I have produced several music videos  for rappers, R&B artists, as well as commercials for mom/pop shows, and corporate entities.

Who are the individuals that are now on the executive staff?

I was able to come in contact with a few good individuals who shared the same vision for Breakaway Pictures.  The Senior Business Partners are Calvin Brewer, Chad Evans, and Marlon Wright. They each bring something valuable to the company.

What is your first film that will debut this year?

“The Becoming ~The Devaun Mitchell Story,” started out as webisode. I then wanted to take it further, so I started networking with six writers to get the script in place. The process was complicated at times due to us not all being in the same city. I decided to stick with one writer by the name of Consuella Raynor. We worked well together through the writing process and were able to complete the script in less than a month.

The movie will debut later this year [November/December 2011] in select Dallas/Ft.Worth Studio Movie Grill locations. Although this was our first film, I am very proud of the work that was put in. I believe that audiences are going to be very surprised with the outcome.

Who are some of your favorite film directors?

I am fond of John Singleton, Ice-Cube, Hype Williams, the Hughes Brothers and F. Gary Gray.

How do you want to see your production company perceived in the industry of film?

I want Breakaway Pictures to be recognized as a diverse film company. I don’t want people to look at us and think that we only do gangster films. We produce all different types of films. With the team we are building now, the dynamics of our production and staff is diverse. So, I believe it’s more than obtainable.

Where do you see the production company in the next five years?

I see the company becoming a larger entity in the industry of film production. Our major goal is for Breakaway Pictures to become a mainstream film company and produce films with a two to five million-dollar budget.

I’ve been lucky enough to talk with a few major directors/producers out of LA, which have provided good advice, and words of wisdom. To tell the truth, I was more surprised that they actually took the time to call me back, and spend more than 15 minutes conversing with me about the industry.

How can fans and interested sponsors contact the production company?

Our production office is located @ Williams Square building off of 5215 N O’Connor Blvd., Suite 200, Las Colinas, TX 75039.

The trailer for the film can be accessed online through our website: http://www.breakaway-pictures.com

By kYmberly Keeton

Thirty Things Every Woman Should Have...

I just read about this new book that was published today entitled, Thirty Things Every Woman Should Have and Should KNow By The Times She's 30--and I like it.

A list was posted on a newsite that I frequent about what a woman should know/have at thirty-something. When I looked at the list, I was amazed that I had accomplished a lot of what was on the list. However, I still have a little bit to go in regards to my journey in my thirties.

Check out an excerpt of the list below. If you are interested in checking out the entire list read it here.

*This would be a great purchase too.

---

By 30, you should have ...

1. One old boyfriend you can imagine going back to and one who reminds you of how far you’ve come.

2. A decent piece of furniture not previously owned by anyone else in your family.

3. Something perfect to wear if the employer or man of your dreams wants to see you in an hour.

4. A purse, a suitcase, and an umbrella you’re not ashamed to be seen carrying.

5. A youth you’re content to move beyond.

By 30, you should know ...

1. How to fall in love without losing yourself.

2. How you feel about having kids.

3. How to quit a job, break up with a man, and confront a friend without ruining the friendship.

4. When to try harder and when to walk away.

5. How to kiss in a way that communicates perfectly what you would and wouldn’t like to happen next.

By kYmberly Keeton

Tyrese: Music Review – Open Invitation…

Tyrese is a ladies’ man and has two Grammys to prove why he can get them where they need to be–just at the right time musically. On his new album, “Open Invitation” the soulful crooner shows the world why he has stayed on top since joining the music industry in the late 90s, by producing grown folk music. At the age of 33, this young man has garnished various accolades. He is an accomplished actor in his own right. In 2011, Tyrese became a national best-selling author, penning, “How to Get Out of My Own Way.”

Back in the late 90s the R&B singer was known for his smooth chocolate skin, bald-head, and consistent Coca-Cola commercial appearances. Since that time, Tyrese has released five albums. On his latest album, “Open Invitation”  signifies growth as a man, and Tyrese acknowledges that he is a leader and wants to have a relationship with a real woman. When the album begins, he sings to the up-tempo song, “I’m Home” featuring Jay Rock, and reminds his fans that R&B will always be around as long as he is in the game. Tyrese makes sure that you stay intrigued with his lyrical abilities and invites Rick Ross & R. Kelly on the track, “I Gotta Chick.”  The single describes how the artist is attracted to women who take care of their responsibilities and are not afraid to get down & dirty in the bedroom. Not to mention, the artist states that he wants to return the favors that have been bestowed upon him.

“Stay” is the first track that initially dropped and is an ode to the good ole’ days and Tyrese reminds his fans that love is a beautiful part of a relationship. The artist continues to uplift women on the single, “Nothing” and chimes that he understands women’s need attention and to be romanced. “Open Invitation” has something for everyone and aims to please all who are interested in opening up the package before them and recognizing that they have a true gift for life.

Point noted–R&B music today lacks the lyrical abilities of the 80s and 90s. However, when you listen to Tyrese, he makes you forget it all. As he says on the track, “One Night” –all he needs is one night, and you will never leave. “It’s All On Me” will receive heavy rotation this winter. It has a hip-hop R&B sexy feel to it. Tyrese tells his lady that anything that she wants—she can have it! Ladies will like the fact that Tyrese wants to travel all around the globe, while he takes care of their every need.

Thankfully, there are not too many rappers on this hot album. On the single, “Too Easy” Ludacris joins Tyrese on the track, and it flows to the tee. If you like slow, slow, slow jams –aka- baby-making music, you are in for a treat.

If you happen to receive this album this Christmas, the individual that purchased it for you definitely knows music. Tyrese ends the journey on his fifth album and hiatus from music with a poem dedicated to his fans. Soulfully, he says loud and clear that he knows who GOD is and she is right by his side.

 –Now that is a stellar ending for 2011.

Listen to a sample of the album: “Open Invitation”

By kYmberly Keeton

Listening to Frank Ocean...

It is now 11:52 pm. Though this will be published later, I wanted to make sure I had the time just right. I met someone who touched my existence in a different way. I was able to have a real conversation with a Black man today. I had no intentions, and he didn’t either. Honestly, I would rather end this article, before writing it. No, we did not exchange words of, “I will see you again,” or “I hope to see you again,” or… “Call me.”

I have been wondering if there was a reason why I felt that I could not have a conversation with a man of his caliber. Yes, finally someone that I met was on my level and was younger than me (by 3 years to be exact). He had a degree, owned a home,and had a couple of kids.

I have always wanted to be with someone who intelligent, successful, proud, spiritual, and owned up to their faults. I believe it is important to engage the later in order to have the rest in a positive light. I have been through a lot at 35—I refuse to settle. I am going far in life. I am still making mistakes too, and loving it in my thirties.

I am always writing about many things, (FYI) the end result always will be about the proposed subject matter in the first paragraph. I listened to his voice over my cell phone, while he was getting directions from me to get to the cafe. Nothing came to me. It was a business meeting. I hung up the phone. I began thinking…I had just finished reading Resurrecting Mingus, that shyt got me. I have to read the last page again. …They touched hands, and he hoped that she would not leave him…

The concept of human interaction is something else. I learned about it through my cultural anthropology class in undergrad. Once he sat down, I continued to drink my coffee, in the hot sun. The conversation was engaging to say the least. I could have talked for hours. We never talked about business until the end. He probed-- first. I came back second. I really don’t think it is important to give a transcription of what the conversation was about in its entirety.

In like manner, we touched on subjects in regard to politics, regions in the United States, dating, and so forth. I thought about some of the questions that were asked of me. And, I had to realize at that moment that age really doesn’t matter. I want a successful man in my life; one that can have a conversation with me about anything. Regardless of the subject matter, he is cool with talking. I expect the best from here on out.

I say that I expect the best from here on out, because you have to anticipate this from your human interactions. I am ready to be intellectual on a whole new level with a smile. I felt so giddy after meeting with this person. He was kind, and very attentive. I reciprocated the interaction. No, this was not my first time meeting an African-American man who had common sense, but this experience was different. I met an African American man that embraced his identity and owned it.

I continue to listen to Frank Ocean, while writing this article. The track that won’t leave my mind is, “There Will Be Tears,” turn it up when you listen to it. In order to understand Ocean’s music, you have to been on some real...I want to really be honest with myself right now type stuff.

The song represents to me a moment in time where you can dream, though people leave your side; love is still there. I have had abandonment issues in my life and I believe that I am now conquering them. God created me to love. And, it feels so good when it comes back and you can see it.

Love does not have to have an attachment to it. –It can be a touch, a smell, a look, or a moment in time. This is what I had at the café; I actually got to see what Dr.Martin Luther King wanted for the entire race. I saw a Black man willing to listen to a Black woman and listen to her ideals and still own his views—without an argument or negative feedback.

Now that is a real education in music.

And, there were no beats or melodies outside the café….

Listen to Frank Ocean


By kYmberly Keeton

Message to the Revolution: Gil Scott-Heron, The Poet…

I will never forget when I heard the political poem, The Revolution Will Not Be Televised, performed at The Arlington Museum of Art, in Arlington, Texas. I was so enamored, attentive, and wanted to know if the poet on the stage was the author of the powerful words. I later found out who wrote the famous lyrics. The originator of the poem, Gil Scott-Heron, whom I became familiar with in the early part of 21^st Century, died on Friday night. I researched and downloaded music to my Youtube.com profile soflynmythirties throughout this weekend. I was speechless, while listening to his baritone voice that echoed love, hurt, freedom, power, and pain.

Gil Scott-Heron was a writer, an author, poet, musician and political storyteller. Born in Chicago, Illinois in 1949, at a young age, he was sent to live with his grandmother in Jackson, Tennessee. After she died, Scott-Herron moved to the Bronx, New York, with his mother. His life changed forever after that move; the young writer was offered a full-scholarship to the prestigious Fieldston School.  Thereafter, he began to write prolifically; the talented wordsmith graduated from high school and enrolled into his mentor’s [Langston Hughes] Alma mater, Lincoln University.

The young poet grew up during a time when African-Americans were still [and still are] fighting for continued equal rights, education, and political office. While in college, Scott-Heron met Brian Jackson, and formed the group, Black & Blues. Their music platform became the sounding board for the young poet to use soul, blues, rhythm, and jazz as a tool for African-American social/political awareness. In 1970, the creative genius began his artistic portfolio with “Small Talk at 125th and Lenox,” produced by Bob Thiele of Flying Dutchman Records. Gil Scott-Heron went on to record/write (15) studio albums, (9) live albums, (11) compilations, (4) books of poetry and (2) novels—a legacy with issues.

Social causes, politics, and drugs were the focal points in Scott-Heron’s body of work. Fighting the powers that be, he became entrapped in the essence. His cocaine habit turned into a full-fledged crack addiction, and he was diagnosed with HIV some time ago. Many of Scott-Heron’s songs reference his obsession with drugs. Though addicted to the lifestyle, the artist continued to work at his craft. He subliminally talks about his life choices and their infinite consequences on his last album, “I’m New Here,” produced in 2010. The message from the messenger has been televised.

Gil Scott-Heron was the first poet that I ever heard speak as if no one was in the room, but God. He commanded the stage with patience and grace. The deepness and mystery in his vocal chords never wavered; they stayed in tact—despite the abuse. Scott-Heron stayed in touch with pop-culture, and always left a message for the generation in line for the torch. One of my favorite poems by the poet is Message to the Messengers. 

We got respect for you rappers and the way they be free-weighin’
But if you’re gon’ be teachin’ folks things, make sure you know what you’re sayin’
Older folks in our neighborhood got plenty of know-how
Remember if it wasn’t for them, you wouldn’t be out here now
And I ain’t comin’ at you with no disrespect
All I’m sayin’ is that you damn well got to be correct
Because if you’re gonna be speakin’ for a whole generation
And you know enough to try and handle their education
Be sure you know the real deal about past situations…

Reaching the masses with his Voice of Reality, and the initiative to speak the truth, Gil Scott-Heron’s purpose on this earth is complete.  Listen to Gil Scott-Heron’s Message to the Messengers in its entirety. ~ RIP 1949-2011 

By kYmberly Keeton

My Blackness Will Always Be Beautiful…

There are many connotations in the media and society that still portray African-American women in a negative light. I believe that our race needs therapy. I remember when I was in an abusive relationship and I thought the man that I was with loved me. However, I came to realize that it had nothing to do with him; it was all about me, and how I regarded my life—my self-worth. The relationship did end; I had to revert to therapy to understand why I allowed myself to get into a situation of this caliber.

I remember having to go back into my past during those therapy sessions to truly encompass where I was at that moment. I remember as a child that my  mother never told me that I was beautiful or the best thing since sliced bread. I never remember my father telling me these things either, because he died when I was two years old. It took a long time for me to come to the realization that all women are beautiful, and we were designed to be women for a reason.

I speak to every woman reading this article today, that if you have allowed yourself to be abused in a negative way, either in a relationship, by family, friends or co-workers that it is up to you to change, in order for your circle to change. I admit, I’m a pop-culture fanatic, and read just about everything that I can get my eyes on. However, I will say that I have come to realize that the society that we live in—in the 21^st Century is no different than the previous.

African-American women still are having to deal with issues of being considered less than due to their skin color, are called out of their names, and the vast majority wonder if a Black man will choose them over a white woman/or of mixed heritage. I have discussed these issues so much until I have come to see, it takes a strong woman to know who she is, and regardless of what anyone says about her, she stands by her own convictions. I traveled to Ghana, West Africa, in 2007. I will never forget while touring the country that all the women were upheld in a different light versus in the United States

We were celebrated for our different hues of Blackness; we were celebrated for our different sizes and shapes. In the United States the standard of beauty is to be blond, a size three, and have blue eyes.  In our culture we are persuaded into believing in order to be considered a woman of beauty, you must be enhanced by plastic surgery, wear hair weaves, fake eye-lashes, and demean other women for the sake of a title/beauty. Black women have always set the standard in the world for what is fashionably correct, politically correct, and visually aesthetic to the eye. Correct me if I am wrong, but haven’t we always been duplicated?

So why do Black women not love themselves in the United States? I believe that it has to do with the home infrastructure that we have been brought up in, society, and the media. If you were never told you were beautiful, you will seek it out in others, and it always leads to a dead end.  Have you ever taken the time to dissect Sojourner Truth’s speech, Ain’t I a Woman. She was a slave, bore thirteen children, each sold into slavery, and she still stood for her Blackness—her womanhood.

If the first woman God ever made
was strong enough to turn the world
     upside down, all alone
together women ought to be able to turn it
     rightside up again.

I am thirty-four years old, and at the age of twenty-five, these words that I am writing today, would have never been as such. However, I had to go through, to come out. I had to experience other’s telling me what I should look like/be like [I also tested out a lot on my own too], in order to fully understand my own genius. Yes, you too are a genius; you too are a Beautiful Black Woman, despite what magazines or websites contemplate. Yes, you were born into royalty. Yes, you are Black and Beautiful.

Too many women that I have spoken to have all said they have had to go through pain/abuse to come to the realization that they were created perfectly by GOD. Don’t let that be you, get help if you see yourself drifting in to someone else’s fantasy of what you should be, or look like in life. You owe it to you to be happy. Seek out help if you do not feel that you are worthy of being the unique being that you were created to be.

Remember; anyone can tell you on a daily basis that you are beautiful, but it only matters if you truly believe it internally. 

Read Sojourner Truth’s:  Ain’t I a Woman (——

By kYmberly Keeton

Mental Health Illness in the African American Community…

African Americans are the least likely to acknowledge they are depressed. Two important factors account for depression in the black community including economic and cultural impoverishment. The Full Circle Life Enrichment Center, a not-for profit organization, based in New York, educates African American families about mental health disease and treatment available for it.

Full Circle Life Enrichment Center was co-founded by Dr. Derek H. Suite.  He is a board certified psychiatrist and functions as the Northeast and Mid-Atlantic Regional Representative for the Black Psychiatrists of America (BPA). 

Dr. Suite tells Thyblackman.com that in regard to his career, “I started out in emergency medicine. I came to the realization after helping patients that the body is not the only thing that needs attention.”

The psychiatrist believes that African Americans are now more than ever likely to be depressed over job loss, family problems, and a lack of self-worth, because of the current economic situation in the United States.

Dr. Suite explains his position, “I believe that the African American community is afraid to speak out on this issue, because they mistrust the system. They feel misunderstood. African Americans have been used as guinea pigs, in such cases as the Tuskegee Experiment. There are so many atrocities across history [against blacks]; it is hard for us to trust.”

In the black community there has always been a mantra of toughing things out. African American males are the least likely to talk about their problems or illnesses. Dr. Derek suggests that the signs for mental health illness are hard to detect in males.

 “It is complicated; males don’t show typical signs. However, there are symptoms including lack of sleep, problems with concentration, angry, irritability, and a reduction in communication, aggressiveness and hypertension.

Another factor that stands out, African Americans do not receive the proper care for medical issues, because they do not have health insurance. The U.S. Department of Health’s website reports, “In 2007, 19.5 percent of African-Americans in comparison to 10.4 percent of non-Hispanic whites were uninsured.”

Dr. Derek H. Suite also believes that, “Women tend to live longer, because they go out and get help.”

Access to healthcare, education, and advice is available if an individual wants to get help regarding mental illness.

Through the Full Circle Life Enrichment Center, Dr. Derek H. Suite, says, “We go out in the community and give free workshops, trainings and counseling. These programs were created to inform our community about mental health issues in our community, and provide access to mental health education.”

Dr. Suite’s organization is not afraid of the community; he reveals that the organization goes out to, “…churches, schools, and barbershops. We work with social service agencies too.”

Through a three part process of life that includes the physical, mental, and spiritual, Dr. Derek H. Suite is bridging them together, by acknowledging that each facet has to be nurtured in order to be healthy.

On October 6, 2011, in New York City, the Full Life Enrichment Center will celebrate their 10th year anniversary. A gala will be held at the Chelsea Piers Lighthouse from 6 pm to 10 pm. The purpose of the event is to raising awareness and funding regarding mental health illnesses.

Learn more about the Full Life Enrichment Center: http://www.fullcirclehealth.org.

By kYmberly Keeton

Why Black Males Need to Embrace College in the 21st Century…

There are many African-American males who are heading to prison versus college in the 21^st century. In order for things to change with black men today, they need to take ownership of their destiny. What better way to achieve success, than by going to college, and excelling! A few points have been allotted below to help lead them in the right direction.

Challenge

More African-American men in the 21^st century need to attend college, because statics show they are the least likely to graduate versus white, Asian, 

 and Hispanic males. We have passed the era where you have to wonder if you can get an education—our grandparents, civil rights leaders, and concerned citizens, made sure we had a seat at the table. Now you need to figure out which chair you want to sit in—in class.

Intelligentsia

Attending college will show your homeboys that you can be intelligent and still have an alter-ego. It helps that your swagger will be on a whole new level, even if they don’t want to follow along. Look up J. Cole’s climb to the top in the hip-hop game. He went to college, and then dropped a CD. David Banner, another rapper, got his B.A., and then obtained a Master’s Degree. Don’t get it twisted, you can do this without going to college, but with your college degree(s) you will do it.

Motivation

The first black president of the United States, Barack Obama, was the President of the Harvard Law Review. He wrote two books before he turned fifty years young. In, “Dreams from My Father,” President Obama, candidly talks about his life as a bi-racial child, and ultimately choosing to embrace being a black educated man in America. It is a story worth reading, and should be a part of your library.

Humanitarianism

Instead of hanging out, volunteer on your campus, or get involved in the community. Many black organizations are looking for African-American males to be involved in mentoring programs including the 100 Black Men, Inc., the National Society of Black Engineers, The Boys & Girls Club of America, AmeriCorps, The Black National Black Farmers Association, the Association of Black Anthropologists, the National Association of Black Journalists and black fraternities.

Suave

Remember, “Education is that whole system of human training within and without the school house walls, which molds and develops men.” ~W. E. B. Du Bois

–A mind is a terrible thing to waste; we need more college-educated African-American males to rise to the occasion. It will do our families, communities, and personal livelihoods some good. There is no need to be a statistic!

By kYmberly Keeton